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The Smashing Machine



The narrative follows the usual formula.


Play Dirty



The actual plot of this tale is so ridiculous and convoluted that Parker ends up playing a secondary role to it.


Good Boy



The movie doesn't quite live up to the novelty of its premise or the charm of its main canine actor.


V/H/S/Halloween



Every segment of V/H/S/Halloween has something going for it.


Bone Lake



It becomes frustrating how far ahead of the characters we are.


Anemone



On a story level, the movie is shallow to its core.


Coyotes



Director Colin Minihan attempts to inject some humor into this straightforward horror offering, but even that feels like a bare-minimum level of effort.


Are We Good?



Are We Good? gets at some deeper truths about grief beyond the jokes.


Killing Faith



Instead of embracing the mystery and the oddity of the story, the filmmakers play it all a bit too safe.


The Ice Tower



Its reliance on visuals and broad archetypes leaves one—to use and beg forgiveness for the obvious pun—a bit cold.


The Partisan



The story feels haphazardly assembled, and the characters remain ciphers throughout.

 

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Coming Soon

After the Hunt Deathstalker Fairyland A House of Dynamite John Candy: I Like Me
Kiss of the Spider Woman Roofman Tron: Ares Urchin The Woman in Cabin 10




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