|
Final
Destination: Bloodlines
|
Death here,
once again coming up with elaborate schemes to pick off victims, is terrifying
and darkly funny—sometimes at the same time.
|
Hurry
Up Tomorrow
|
Hurry Up Tomorrow is such an empty examination of fame and the
fanatical side of fandom that even the movie doesn't seem convinced of
itself.
|
The
Ruse
|
It's not a great sign when a movie needs to devote about ten minutes to a
character bluntly explaining everything that has happened in its story.
|
|
Sister
Midnight
|
The material is far more engaging, understandable, and relatable in its
human story than in what it eventually becomes.
|
The
Old Woman with the Knife
|
The Old Woman with the Knife is as much a
study of sad, isolated characters being forced to confront their emotional
shortcomings as it is a violent thriller.
|
A
Breed Apart
|
This is an ugly-looking, repetitive, and dull dead end of whatever it is
the movie is trying to be.
|
|
Hung
Up on a Dream: The Zombies Documentary
|
It is genuinely inspiring in a way that one doesn't
expect of a biography about musicians whose time has seemingly come and gone.
|
The
Severed Sun
|
It's a shame the whole thing doesn't add up to much on a narrative or
thematic level.
|
Desert
Dawn
|
This is a barely competent and, at times, outright inept bit of
storytelling and filmmaking.
|
