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The movie's scary sequences are crafted with care, while everything involving the characters feels rushed, mismanaged, and shakily assembled. |
The unfocused Fahrenheit 11/9 mostly tells us that things are bad and could get worse, which seems unnecessary at this point. |
It's all so overwhelming—not emotionally, mind you, but more in the vein of an irritating itch that you just can't reach. |
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Assassination Nation eventually corners itself with an apocalyptic vision of violent suburban chaos, in which every thoughtful consideration is dismissed. |
It seems like a reasonable enough conclusion, but it also feels like a shallow, nearly exploitative recreation of real-life horror. |
Everything that's to like about Love, Gilda comes from Radner herself. |
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It's a compelling way to tell a story, but in keeping us at a certain distance from its characters, the movie never connects on an emotional level. |
The Predator offers some cosmetic changes to the heroes and the aliens. In other words, it provides nothing that's really new. |
As the pieces of the puzzle come together, the more successful and subversive elements of the story come apart. |
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Copyright © 2001-2018 by Mark Dujsik. All rights reserved. |
